*** Résumé en anglais seulement ***
“Gilda, are you decent?” Rita Hayworth (The Lady from Shanghai) tosses her hair back and slyly responds, “Me?” in one of the great star entrances in movie history. Gilda, directed by Charles Vidor (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's George Macready), as well as the former flame of his bitter henchman (3:10 to Yuma's Glenn Ford), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs.
All film noirs need deceit, betrayal, dialogue hard as diamonds--and dames even harder than that. But Gilda is the only one with the dame front and center, and for good reason. Rita Hayworth shimmers in the 1946 classic, which spins on a tortured plot involving the title character (Hayworth); her imperious husband (George Macready), a ruthless casino owner and head of an Argentine tungsten cartel (!); and Johnny Farrell (Glenn Ford), Gilda's ex-lover and now her husband's go-fer. But no one watches Gilda for the plot, except to learn that all the characters have secrets--perhaps even ones they would kill for. Hayworth captures Gilda's vulnerability beneath her devil-may-care front ("If I'd been a ranch, they would have named me the Bar Nothing"). Not to be missed: Hayworth's slinky striptease to "Put the Blame on Mame."